Sunday, January 27, 2019

2018 Anime Awards




Technical Awards


Best Original Soundtrack/Score
Violet Evergarden


Music by Evan Call
Sound Direction by Youta Tsuruoka



Best Insert Song
"Haru Ka Tooku" (A Place Further Than the Universe)


Written by Yoshiaki Fujisawa
Performed by Saya



Best Opening Song
"Sincerely" (Violet Evergarden)


Performed by TRUE



Best Ending Song
"Hectopascal" (Bloom Into You)


Performed by Yuuki Takada (Yuu Koito) and Minako Kotobuki (Touko Nanami)



Best Opening Animation
Darling In The FranXX (OP 2)


Directed by Atsushi Nishigori



Best Ending Animation
Run With The Wind


Directed by Kazuya Nomura



Best Adapted Story
Rascal Does Not Dream Of Bunny Girl Senpai


Created by Hajime Kamoshida
Adapted by Masahiro Yokotani
Directed by Souichi Masui



Best Original Story
A Place Further Than The Universe


Script and series composition by Jukki Hanada
Directed by Atsuko Ishizuka



Best Artwork/Animation
Violet Evergarden


Art Direction by Mikiko Watanabe
Original Character Designs by Akiko Takase
Color Design by Yuka Yoneda
Key Animation by Haruka Fujita
With Kouhei Funamoto as Director of Photography



Acting Awards


Best Supporting Actor
Mamoru Miyano


For Koutarou Tatsumi in Zombie Land Saga



Best Supporting Actress
Yuka Iguchi


For Hinata Miyake in A Place Further Than the Universe



Best Leading Actor
Mamoru Miyano


For Okabe Rinatarou in Steins;Gate 0



Best Leading Actress
Kana Hanazawa


For Shirase Kobuchizawa in A Place Further Than The Universe



Character Awards

Best Supporting Character (Female)
Anzu (Hinamatsuri)


Played by Rie Murakawa



Best Supporting Character (Male)
Koutarou Tatsumi (Zombie Land Saga)


Played by Mamoru Miyano



Best Main Character (Female)
Shirase Kobuchizawa (A Place Further Than The Universe)


Played by Kana Hanazawa



Best Main Character (Male)
Sakuta Azusagawa (Rascal Does Not Dream Of Bunny Girl Senpai) 


Played by Kaito Ishikawa



Best Character Ensemble
A Place Further Than The Universe


Character Designs by Takahiro Yoshimatsu
Directed by Atsuko Ishizuka



The Final Awards

Best Director
Mari Okada


For Maquia: When The Promised Flower Blooms



Best Anime
Violet Evergarden


Directed by Taichi Isdhidate
Produced by Kyoto Animation

Friday, January 25, 2019

Re:Zero ~ Chapter 2 Vol. #05 Manga Review


If you're cute, people forgive you for most things.

Creative Staff:
Art: Makoto Fuugetsu
Original Story: Tappei Nagatsuki
Character Design: Shinichirou Otsuka
Translation: Jeremiah Borque
Lettering: Anthony Quintessenza

What They Say:
Subaru hasn't known peace since he first came to this world, but after surviving the demon beast attack, he has finally found some respite. Whether it's deepening bonds with the residents of Roswaal Manor, meeting an eccentric world-famous chef, or dressing up as Roswaal himself (?!), Subaru is in for a fun (if exhausting) time. Tragedy takes a break in this final volume of Re:ZERO - Starting Life in Another World-, Chapter 2: A Week at the Mansion!

The Review:
Content: (Please note that the content portion of the review may contain spoilers)
After Fuugetsu's last volume tied up pretty much all the loose ends of the Roswaal Manor arc, this final installment of Re:Zero treads upon entirely new ground. Yup, you guessed it, we've finally got a filler book! And while I'm normally opposed to material like this when it comes to more 'serious' series, something about watching Subaru up to his normal Subaru-antics when his life isn't at stake just seemed too intriguing to pass up. Plus, Fuugetsu's artwork over the last several books has been phenomenal, so there's really no reason to pass this one up. Well, at least that's what I thought before finding out it was going to be 75% Rem fanservice.

I kid, I kid. Kind of. Like I mentioned before, volume five throws us into several different, completely new scenarios that were not included in the anime nor were they alluded to in preceding installments. The first of these is actually a glimpse into the life of Petra- one of the young, village girls that Subaru saved from those evil dogs. This chapter goes pretty much as you'd expect it to. Petra lives a normal life, almost gets killed by a giant dog, and then wakes up and thanks Subaru for, you know, not letting her become food. And while it's a little interesting to see these events depicted from a different angle, it doesn't really matter in the grand scheme of things. I mean, honestly, you could probably just skip this chapter all together as it does not contribute anything to the rest of the book or the franchise as a whole.

The next chapter, however, is one that is sure to excite the vast majority of Re:Zero fans. That's right, ladies and gentlemen, we've got a chapter all about how much Rem adores Subaru and how she handles "looking after him." Surprisingly enough, I actually liked this bit of the book. Apart from being a love-robot whose only programming is to ensure that she is fawning over the protagonist, Rem's depiction in a light-hearted setting is really kind of...adorable. There, I said it. Be prepared for an onslaught of over-the-top, romcom-esque reactions that could no way ever make it into a real volume of Re:Zero. Oh, also, there's a pretty random scene involving the sucking of a certain appendage.

What? No. Not like that. You'll see.

As if that wasn't enough to get you excited, be prepard to see some crossdressing Subaru action as 'Natsumi Schwarz' makes "her" first [and presumably last] appearance. All joking aside, Subaru actually makes a pretty cute girl. But I bet now you're wondering how that happened in the first place, aren't you? Well, the only reason he's cross-dressing is to prevent Emilia from overreacting to a famous chef's food so that she's able to maintain her dignity and prose when it comes to becoming queen of Lugnica. And yes, that is all I am going to tell you about the middle section of this volume as saying any more would likely just add to the confusion.

The final two chapters combine into something that I guess you could call the 'main plot' of the book? Maybe? I don't know- they form a coherent story while everything else seems completely random, so I'm just going to stick with that initial description. These chapters show us an alternate universe where, when Ram and Roswaal head away for a few days, Subaru and Rem get sucked into a weird box and are forced to reenact that horrible movie Cube from several years ago. And if you're unfamiliar with Cube, which I am sure you are, they basically have to undergo a few trials to ensure that they make it out of a cube alive. Crazy, I know. Well, it turns out that the cube was really just a Mitia that some new character named Ezzo made to try and impress Roswaal. At the end of the day, he (Or she? I honestly can't tell) doesn't and Rem brings Subaru back into the cube so that they can spend more time together.

In another alternate world, I'm sure they're both still in that cube somewhere- living out the ultimate non-canonical ending that most fans have dreamt of for roughly two years now. But back in the real Lugnica (IE: Chapter 3, Part 1) things are just getting started...But we'll touch on that soon! For now, feel free to enjoy these exceedingly random and rather entertaining additions to the series that literally none of us asked for, but are completely okay with.

In Summary:
This [completely optional] installment in the Re:Zero franchise brings us some OVA-esque material in manga form. With absolutely no story tell and not even a general direction to pursue, volume five manages to maintain the reader's attention through sheer nonsense and buffoonery alone. And while I certainly had a good time seeing Subaru and company enjoy fun and games while their truly unfortunate lives allow it, I can completely understand why some would elect to skip this volume. All I have to say in that regard is- who cares? Read what you want to read. If you don't like fun, go check something else out. This book has absolutely nothing to offer you. However, if you're a fan of the characters here and just want to see them messing around, dive in and let the weird cube-water overtake you.

Content Grade: C
Art Grade: A
Packaging Grade: A-
Text/Translation Grade: A-

Age Rating: 13+
Released By: Yen Press
Release Date: September 18, 2018
MSRP: $12.99

Saturday, January 19, 2019

Birdboy: The Forgotten Children Blu-ray/DVD Review


When you learn to fly, will you take me with you?

What They Say:
Based on the graphic novel by Alberto Vázquez.

There is light and beauty, even in the darkest of worlds. Stranded on an island in a post-apocalyptic world, teenager Dinky and her friends hatch a dangerous plan to escape in the hope of finding a better life. Meanwhile, her old friend Birdboy has shut himself off from the world, pursued by the police and haunted be demon tormentors. But unbeknownst to anyone, he contains a secret inside him that could change the world forever.

Audio:
The blu-ray portion of Birdboy is equipped with both the English and the original Spanish dub presented in DTS-HD 5.1, while its DVD counterpart shows off Dolby Digital 5.1 for the same. The audio remains crisp and clear in both versions and I did not experience any dropouts or unequalized audio throughout either viewings. Another important thing to mention regarding the sound for Birdboy is that the score is friggin' masterful. Audio plays a surprisingly large role in the telling of this story, so having great quality was a must to ensure the perfection of this release.

Video:
As expected, Birdboy's blu-ray disc comes to us in 1080p HD (Widescreen) with the DVD sitting at a less impressive non-HD anamorphic setting. Despite its rather minimalist art style, the visuals for Birdboy are nothing less than stunning, rivalling that of many high end animation releases. Its dark and brooding imagery turn what looks like a childrens' movie into one of the most visually disturbing films of recent memory. And just like the audio portion, this aspect of the release is essentially flawless.

Packaging:
Slipcover fans, rejoice! Birdboy's dual release comes with the standard-issue blu-ray box tucked neatly in a fitted slipcover that mimics its design and structure. I would have liked to see different designs on both, rather than just copies of the two, but beggars can't be choosers, I suppose. Either way, the original box design is eye-catching and the rear image takes up a [thankfully] minimalist approach, not overcrowding you with thumbnails and all that nonsense that we typically see on anime releases.

Menu:
For those of you unfamiliar with my video reviews, I am a huge fan of those old-school animated selection screens that have all but vanished in recent years. Luckily for me, however, Birdboy has not fallen into that trap. The main menu of the blu-ray loops a collection of memorable scenes from the film over an ominously ambient track from the OST, creating a seamless and alluring menu that doesn't seem over the top or unnecessary. It is truly one of the best that I have seen in quite some time.

Special Features:
As if excelling in every other category wasn't enough, Birdboy comes equipped a handful of special features that easily holds up, if not exceeds, that of many similar releases. The biggest of these features is the original short film from Alberto Vasquez (One of the two directors on this title) that the full-length feature is adapted from. On top of that, it also has interviews with the directors as well as one of the most captivating trailers GKids has ever released.

Content: (Please note that the content portion of the review may contain spoilers)
There is a monster inside each and every one of us. From the second that we're able to think for ourselves, we are challenged by the seamlessly endless world wrapped around us. For some people, that world may be as small as a single town -- a single house, even. But for others, that world can be much, much larger. Birdboy is a film that takes this idea and mutilates it beyond recognition. It is a film designed to show us the evils of that world and how, by comparison, we will never stack up. But it is also a film that illustrates our desire to challenge that and how those challenges sculpt the person we ultimately become.

Despite the film's title, Birdboy is actually not the main character here. He's more of an ideal or a symbol than anything else- a tactic that directors Alberto Vasquez and Pedro Rivero are clearly not afraid to overuse. Instead, the movie focuses on a young girl named Dinky. Being raised in a toxic household where she is essentially thrown aside in favor of a younger half-sibling, Dinky's life has become a grind on a day-to-day basis alone. And even though her household seems like a cakewalk in comparison to the lives of several other characters, it's clear to see that she still feels incomplete. This subject matter is actually one of the main focal points Birdboy beats into us time and time again. 

Dinky, along with several of her friends, all share one thing in common. They want to escape. The town in which they live (Which I believe to be a less-than-subtle metaphor for present-day Mexico) has gone to hell. The poverty levels have gone through the roof, leaving many civilians to sort through trash at a nearby garbage dump just so they can eat. Among this dump is where the actual Birdboy resides, tucked away in a secret cave still brimming with life. But in stark contrast to his makeshift home, Birdboy lives in complete darkness. His father, who used to tend to the lighthouse before their home was in ruins, had been killed by police for suspected drug trafficking when Birdboy was still young. This created a literal and metaphorical demon within Birdboy that showcases much of the central conflict the film has to offer.

The only way Birdboy knows how to keep this demon at bay is with drugs, another common theme used throughout the film. In fact, one of the two ways he acquires these drugs is from a local boy named Zachariah, who steals them from his drug-addicted [literal] spider of a mother. The other way is from Dinky herself, who takes them from her home as she understands Birdboy needs them in order to feel safe. These drugs, called "happy pills" in the film, essentially suppress Birdboy's emotions and keep him from letting that demon out to destroy the world around him. So, if we're viewing things from Birdboy's perspective, the demon destroying the world is more akin to Birdboy's resentment for society destroying his own world. IE: The people he has surrounded himself with. Birdboy fears that if he does not hold the demon in, the only ties he has left with the world following the death of his father will, too, be taken from him.

Meanwhile, Dinky and the others are facing a completely different battle. As I mentioned earlier, nearly everyone in Birdboy wishes to escape. And while Birdboy himself may escape with the use of drugs, Dinky's desire for a new life takes on a more direct approach. She abandons the island with her friends and gets wrapped up in an even harsher environment than the one she started in. She trades her relatively 'comfortable' life for one filled with violence and terror, and it makes us realize that, sometimes, escaping isn't possible at all. Seeing what happens to Dinky is yet another symbol for how humanity's constant strive for a better life only makes things more difficult, and how we're safest when we just don't move. It also shows that people born into poverty are essentially locked into their place in the world and, if the viewers can be in agreement that the world of Birdboy is, in fact, Mexico, the film takes on an entirely different meaning as so many of the characters are so desperate to escape.

The thing with Birdboy is that it's very hard to pinpoint just one meaning as the film contains so many twists and turns that viewers are bound to get lost at points. But I feel as though that's where so much of its beauty comes from. This isn't just a movie, it's a symbolic manifestation of how the directors view their world as a whole. They acknowledge the near impossibility of escape and throw in as many obstacles and horrible realities that they can because, at its core, the world is an evil place. More often than not, there is no happy ending. Birdboy is a movie designed to show us that. It takes small hints of beauty and bashes each of their heads in, serving as a harsh wake-up call for all dreamers alike. It is excruciatingly poignant and realistic, even when all elements of its world are borderline nonsensical. This level of storytelling and symbolism are almost unparalleled in the world of cinema, and I can not do it even a hint of justice by simply stating how I view it. Birdboy is a movie that you must see for yourself. It is truly an experience like no other.

In Summary:
Dark, disturbing, and remarkably powerful, Birdboy brings us to a world that has already passed the brink of destruction. Built entirely upon symbolism and backed by the horrifying ambience of its original score, this film is designed to destroy you. It teaches us the evils of man and the desire for something more better than almost any film before it. And with visuals and two dubs that are borderline god-tier, it has an easy time doing it. But with how easy that is, it's important to note how hard it may be to take it in. If you don't mind doing a little thinking while movie-watching, dive into the world of Birdboy and succumb to its darkness. It is a truly haunting perspective that is sure to change your outlook on life, even if only for a moment.

Blu-ray Features:
English DTS-HD Master 5.1 Audio, Spanish DTS-HD Master 5.1 Audio, English, Spanish, and French Subtitles, the Original Birdboy Short Film, Interviews With the Directors, and the Original Theatrical Trailer.

DVD Features:
English Dolby Digital 5.1 Audio, Spanish Dolby Digital 5.1 Audio, English, Spanish, and French Subtitles, the Original Birdboy Short Film, Interviews With the Directors, and the Original Theatrical Trailer.

Content Grade: A+
Audio Grade: A+
Video Grade: A+
Packaging Grade: B+
Menu Grade: A+
Extras Grade: A+

Released By: Shout Factory
Release Date: March 13, 2018
MSRP: $22.97
Running Time: 76 Minutes
Video Encoding: 1080p High Definition/Standard Definition Anamorphic (DVD)
Aspect Ratio: 1.85:1